Doctoral writing: the incentive of space

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Doctoral writing, Emotion & writing, Researcher identity, Writing motivation

By Susan Carter

I’ve just met with a Pacific Island doctoral candidate, let’s call her Vai after the beautiful Pasifika movie that you should try to see. Vai moved me almost to tears by recounting that she does her doctoral writing in the cemetery next to her grandmother’s grave.

Responding to supervisor feedback: do doctoral students have to agree?

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Doctoral writing, Emotion & writing, feedback on writing, Feedback practices, Researcher identity

By Susan Carter

My eight years of being a consultant for doctoral students taught me what supervisors sometimes do not see: that candidates can struggle over whether or not to take supervisory advice. Here, I want to defend two suppositions.

1) It is always wise to pick your battles, and on that assumption, students do well to defer to supervisors when the issues are relatively minor.

2) When writing decisions are important, students need to learn how to refuse advice that they disagree with and demonstrate why.

Because students transition towards independent researcher status when they are able to make decisions and then make them work, academics who support them could initiate talk about how to manage disagreement with supervisors.

Often it is tricky responding to supervisor feedback on writing for candidates who don’t really agree with it. Learning how to negotiate diplomatically is a very useful skill that is not gained lightly. The power differential between student and supervisor can make it quite hard for students to hold on to their own choices. Those who come from a culture where it is inappropriate to contradict a teacher could be advised about Western expectations that there are intellectual benefits to arguing. It’s tricky, though, for many candidates, to disagree.

Managing supervisor/candidate falling out over doctoral writing

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Emotion & writing, Feedback practices, Researcher identity, supervisor feedback, Writing as social identity; the reader as significant other

By Susan Carter

It’s common for supervisory relations to grow tense somewhere during a doctorate. It’s also usual for the parties involved to work through such tension, and move on, that very usual process in most human relationships. Now and then, though, emotions grow intense, and the disagreement between candidate and supervisor threatens to obstruct the doctorate. And while some tensions may emerge from differing personalities, some relate to differences in writing processes or style preferences. A few times I have worked with supervisor/candidate couples in strife, and this post describes my suggestions for managing discord.

Scholarship as collaboration: Towards a generous rhetoric

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Emotion & writing, Researcher identity, Writing as social identity; the reader as significant other

By Anthony Paré

Anthony Paré is a Professor at the University of British Columbia. He’s also an inspiring researcher who took a lead in researching doctoral writing, with wise articles based on practice as well as data.

Who is the speaker of academic texts? What is their relationship to readers? With what authority and conviction do they speak? Is their task to contest, criticize, and rebuke, or is it to cooperate, assist, and collaborate? In scholarly practice, and in the training of students, is academic discourse regarded as a field of combat, where opponents’ positions are attacked and one’s own arguments advanced triumphantly? Or do we approach academic writing as a fundamentally social act through which understanding and knowing are built collectively?

Since I believe that knowledge-making is a social enterprise that depends on collaborative work, these are questions I’ve frequently considered over many years of teaching and studying writing, and they were the questions I addressed in my presentation at the recent International Academic Identities Conference in Hiroshima, Japan. The Conference theme was The Peaceful University: Aspirations for academic futures – compassion, generosity, imagination, and creation, a powerful and poignant theme in a city that experienced such horrendous violence in August, 1945. In this blog entry, I offer the written version of that talk.

Ahoy! what is so interesting about doctoral writing?

Tags

Doctoral writing, Emotion & writing

By Susan Carter

At the Quality in Postgraduate Research conference (April 17-19, 2018), a group of scholars came to a doctoral writing special interest group (SIG). Why, you might wonder, when writing in and of itself might seem to not be a topic with an argument to make. Most were academics who support doctoral writing, and a few were those writers themselves. I asked them to jot down what they find so interesting about doctoral writing, explaining that I would construct a blogpost from these.

Their individual responses splatter around the complexity of the process and product, and led me to the metaphor of sailing.

Doctoral writing and supervisor feedback: What’s the game plan?

Tags

Emotion & writing, supervisor feedback, talking about writing, Writing as social identity; the reader as significant other

By Susan Carter

Last week’s post and its comments provide an entry point to this one. Last week I drew on Peter Arthur’s thoughts on how to teach metacognition, which takes the teacher further than just teaching material, to teaching students how to manage their own learning. Reflection on this topic took me to the fact that, in practice, supervisors are learners too when it comes to the cycles of feedback and revision in doctoral writing.