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Tag Archives: Emotion & writing

Critical pragmatics of doctoral writing: fluency, plagiarism, structuring, procrastination

21 Tuesday Mar 2023

Posted by doctoralwriting in 3. Writing Practices

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Doctoral writing, Emotion & writing, structuring argument, talking about writing, Writing as social identity; the reader as significant other

By Susan Carter and Cecile Badenhorst

Years of participating in and hosting doctoral writing workshops has led me to believe that, when time and care are given to the pedantry of academic writing, the benefits are significant.  When grammar and syntax are impeccable, writers avoid annoying examiners. That factor is quite important. But I think that carefully edited writing improves more substantially than a surface level tidy-up.

So, some workshops focus on such mundanities as grammar, syntax and punctuation while facilitators hope that the talk in their workshops will take writers further, into the deeper level of how language conveys quite critical significance. Cecile Badenhorst has provided the answer to the dilemma of what to call such workshops: they are critical pragmatic writing workshops (Englander, K. & Corcoran, J. 2019).

“Critical pragmatics” encapsulates an approach that many of us like. The  word pragmatic shows awareness that students want to succeed within the status quo no matter how inequitable or taxing it may be. Then the word critical encourages students to assess their options rather than just being socialized into the discourse. Continue reading →

Doctoral writing 2023: Where’s this year heading?

09 Thursday Feb 2023

Posted by doctoralwriting in 3. Writing Practices

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Desire to write, Emotion & writing, Researcher identity, Staying realistic with writing

By Susan Carter

Somehow we’re in February and what was a nice new year to be celebrated a few weeks ago has cranked up into taking itself seriously and we are back at work in the wilds of doctoral pedagogy.

For many of us, that means we are back thinking of different ways to support doctoral writing strongly, so that authors can both crack through obstacles to doing it—Paul Silvia is a help with this—and clearly see what examiners are looking for and how the weird genre of the doctoral thesis works.

Claire, Cally and I would like to begin this year with an invitation by asking readers who routinely provide writing workshops for doctoral writers to consider offering this blog a post in 2023.

Make that asking you, dear reader….If you facilitate writing workshops for undergraduates, for academics, or for creative writers and can see how your session design could be adapted, we’d welcome new approaches. If you have advice or exercises you have developed as a supervisor, you could also consider sharing them. And if you are a candidate with insights into doctoral writing that you think are both fairly novel and distinctly useful, here’s an opportunity to contribute to colleagues. You could email us here with a rough idea for a post to kick it off.

You might find stimulation for thinking about doctoral writing practices amongst the doctoral writing discussions that Juliet Lum and Susan Mowbray coordinate—these occur live, and then Juliet and Susan report on what was covered. Towards the end of 2022 topics including how to see writing as healing, and how supervisors and academic developers can work together to support doctoral writing. The discussions have the vitality of a community with shared interests yarning together, taking a topic from different points of view and sharing experiences. That ability to share interests, empathy and strategies makes this blog and these conversations worth continuing into this new year.

Moving along from an invitation to publish a post with us, I’d like to post a provocation prompted by the last few traumatic years of a pandemic with subsequent lockdown and climate extremes that have devastated some regions and disrupted lives. There’s some good empirical evidence of this (e.g., Byron, 2020; Bukko & Dhesi, 2021; Levine et al., 2021), besides the videos on the news.

So yes, this is a newish year, but many of us feel less secure than we might have done a few years ago. It seems unrealistic to ignore what is happening outside of academia when much is so intrusive as to affect what happens within it.

So what do you think about this: Should the academic community encourage doctoral writers to include mentioning any external trauma that has affected their research in the same way that they would if experiments failed, or data proved unexpectedly impossible to get? Are some external disruptions as legitimate an aspect of doctoral research as internal disruption? Is how doctoral researchers handled such disruptions a vital part of demonstrating their development into independent researcher professionalism? Does this relate to discipline, with HASS more likely than STEM to see the epistemological relevance of contextualising research within the experience of doing it?

I’d like to do more on this on this blog, and I am wondering if there’s a research project on the issue of writing about personal trauma affecting research experience. Could we start a discussion on how that writing could be framed, and where in the thesis it might go, so that academic integrity is maintained? Susan would be pleased if you sent her an email with your thoughts on writing in the thesis about the impact of the pandemic or climate change on research experience and then if there’s interest, she will assemble ideas into a post to follow this one.

Meanwhile, over the break Cally, Claire and I have been putting together another book, this one a guide to editing a journal special issue or a monograph with chapters from different authors. It’s for a great Routledge series edited by Pat Thomson and Helen Kara that is aimed at early career academics perhaps including doctoral candidates and especially new graduates seeking an academic career: Insider guides to success in academia. These are little books where authors with experience offer suggestions that they hope will be helpful for those taking on work they haven’t done before. You may find something of interest amongst them.

For us, it took us back into the sharp reality of academic writing: producing academic writing to a deadline, writing in a slightly different genre than usual, and doing this over the summer break. Admittedly, it’s been a stormy summer down here in the Southern Hemisphere, rather denying the idyll of sunshine, beach, outdoor walks, so urgency at the computer has seemed appropriate. But thinking about how to keep at writing for longer than is quite comfortable, how to savour what works well while staying alert to what needs more clarity, and how to write within the genre is now alive in our minds. Sometimes the gap between experienced academics and doctoral novices is not too huge.  

References

Byrom, N. (2020). COVID-19 and the research community: The challenges of lockdown for early-career researchers. eLife , no page numbers. https://elifesciences.org/articles/59634

Bukko, D. & Dhesi, J. (2021). Doctoral students living, leading and learning during a pandemic. Impacting Education: Journal on Transforming Professional Practice, 6(2), 25-33. 

Levine, F. J., Nasire, N.S., Rios-aguilar, C., Gildersleeve, R. E., Rosich, K. J., Bang, M., Bell, N.E., & Holsapple, M. A. (2021). Voices from the field: The impact of COVID-19 on early career scholars and doctoral students (Focus Group Study Report). American Educational Research Association: Spencer Foundation. https://doi.org/10.3102/aera20211

Doctoral writing as self-transcendence?

25 Tuesday Jan 2022

Posted by doctoralwriting in 5. Identity & Emotion

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Emotion & writing, Researcher identity, Writing motivation

By Susan Carter

It’s the start of another new year, and this first post dares to be absurdly positive given how tough the last few years have been for doctoral writers and those who support them during full or partial COVID isolation.

The cheerful New Year’s message here is that doctoral writing is an act of self-transcendence. That it offers a way forward, a portal to other dimensions and a ladder to unknown heights with both dangers to confront and goods to be won. It’s tempting to draw on classical heroes and their tales as similar to the doctoral journey–(or to go downmarket with the many children’s stories that feature threat, fear and ultimate reward, like Jack and the Beanstalk).

The start of a new year offers the time when we turn to making our lives more purposeful. The thoughts in this post could be used as provocations in a doctoral writing retreat or workshop.

Continue reading →

Doctoral writing: the incentive of space

11 Wednesday Mar 2020

Posted by doctoralwriting in 3. Writing Practices

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Doctoral writing, Emotion & writing, Researcher identity, Writing motivation

By Susan Carter

I’ve just met with a Pacific Island doctoral candidate, let’s call her Vai after the beautiful Pasifika movie that you should try to see. Vai moved me almost to tears by recounting that she does her doctoral writing in the cemetery next to her grandmother’s grave. Continue reading →

Responding to supervisor feedback: do doctoral students have to agree?

14 Monday Oct 2019

Posted by doctoralwriting in 3. Writing Practices

≈ 6 Comments

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Doctoral writing, Emotion & writing, feedback on writing, Feedback practices, Researcher identity

By Susan Carter

My eight years of being a consultant for doctoral students taught me what supervisors sometimes do not see: that candidates can struggle over whether or not to take supervisory advice. Here, I want to defend two suppositions.

1) It is always wise to pick your battles, and on that assumption, students do well to defer to supervisors when the issues are relatively minor.

2) When writing decisions are important, students need to learn how to refuse advice that they disagree with and demonstrate why.

Because students transition towards independent researcher status when they are able to make decisions and then make them work, academics who support them could initiate talk about how to manage disagreement with supervisors.

Often it is tricky responding to supervisor feedback on writing for candidates who don’t really agree with it. Learning how to negotiate diplomatically is a very useful skill that is not gained lightly. The power differential between student and supervisor can make it quite hard for students to hold on to their own choices. Those who come from a culture where it is inappropriate to contradict a teacher could be advised about Western expectations that there are intellectual benefits to arguing. It’s tricky, though, for many candidates, to disagree. Continue reading →

Managing supervisor/candidate falling out over doctoral writing

28 Thursday Feb 2019

Posted by doctoralwriting in 5. Identity & Emotion

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Emotion & writing, Feedback practices, Researcher identity, supervisor feedback, Writing as social identity; the reader as significant other

By Susan Carter

It’s common for supervisory relations to grow tense somewhere during a doctorate. It’s also usual for the parties involved to work through such tension, and move on, that very usual process in most human relationships. Now and then, though, emotions grow intense, and the disagreement between candidate and supervisor threatens to obstruct the doctorate. And while some tensions may emerge from differing personalities, some relate to differences in writing processes or style preferences. A few times I have worked with supervisor/candidate couples in strife, and this post describes my suggestions for managing discord. Continue reading →

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